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Understanding Egyptian Collections: Innovative display and research projects in museums

Oxford University

On the 1st and 2nd September 2014, the Ashmolean Museum was proud to host the Understanding Egyptian Collections: Innovative display and research projects in museums conference. Looking at the exciting and interestnig ways in which museum conservators and egyptologists display ancient Egyptian artefacts and collections. From ways of conserving thousand year old mummies to restoring collosal statues, the conference finds new ways to conserve and display ancient objects.

Episodes

Ordered by publication date.

Sep 17, 2014

Introduction to the Egyptian Collections

Sep 17, 2014

Egypt and the Ashmolean – 5 millennia of collections care part one

Sep 17, 2014

The Redevelopment of the Ashmolean’s Egypt and Nubia Galleries – designing and building the new galleries

Sep 17, 2014

Vertically Challenging: the investigation and conservation of a deteriorated coffin for vertical display

Sep 17, 2014

Raising the Dead: bringing design concepts to display

Sep 17, 2014

Seeing Mummy Portraits: preparation for display in 2011 and recent collaborative investigation

Sep 17, 2014

The APPEAR Collaboration: a comparative study of ancient mummy portraits

Sep 17, 2014

The Stair of Glory: The Meet‐and‐Greet Gallery – a unique dramatic gallery at the Grand Egyptian Museum

Sep 17, 2014

Evolving Attitudes: past and present treatment of Egyptian Collections of the Oriental Institute

Sep 17, 2014

Mummy case saved by LEGO: a collaborative approach to conservation of an Ancient Egyptian cartonnage

Sep 17, 2014

The importance of technical analysis and research for the conservation and display of archaeological garments

Sep 17, 2014

Problems and possibilities for the Petrie Museum’s pottery display

Sep 17, 2014

King Menkaure in Motion: the metamorphosis of a Monolithic royal sculpture from the Old Kingdom

Sep 17, 2014

On not exhibiting a corpse: the Mummy Chamber, Brooklyn Museum

Sep 17, 2014

Reflecting on Egyptian Pigments: the use of Fibre Optic Reflectance Spectroscopy (FORS) for pigment analysis at the Fitzwilliam Museum

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